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Although this appears to be one of LiveOak's earlier recordings, it is a timeless treasure. The voices match the period: a plain, sweet and wistful soprano, a rich baritone that carries the introspection, and even meloncholy of much of the music.
The use of the Spanish vihuelas is not only historically appropriate for the 16th century Flemish courts, it works particularly well. Frank Wallace's mastery of the instrument and idiom is a marvel; his ability to sing while playing not trivial parts is all the more impressive. Included are several vihuela solos I might have wished were miked a bit closer, but which retain the balance of the other tracks and the overall feeling of hearing a live performance.
I bought the recording almost as much to hear Mille Regrets, attributed to Josquin, as anything else. I have usually heard this famous song in lute or vihuela intabulations--never in a vocal version. This arrangement begins with flute and vihuela, then switches to Nancy Knowles' sweet soprano. The effect is totally charming, and I would recommend the album, if only for that one track. However, it is only one of many delights.
Rating:  [5 of 5 Stars] |
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